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We Wont Get Fooled Again Song Meaning

Written By Friday, March 18, 2022 Add Comment Edit

1971 single past the Who

1971 unmarried by The Who

"Won't Go Fooled Again"
Won't get fooled again.jpg
Single by The Who
from the album Who's Next
B-side "I Don't Fifty-fifty Know Myself"
Released 25 June 1971 (1971-06-25) (UK)
17 July 1971 (1971-07-17) (US)
Recorded Apr–May 1971
Studio
  • Rolling Stones Mobile, Stargroves, England
  • Olympic Studios, London
Genre
  • Hard stone[one]
  • progressive stone[2]
Length
  • 8:32 (anthology version)
  • 3:36 (single edit)
Characterization
  • Track (UK)
  • Decca (Usa)
Songwriter(s) Pete Townshend
Producer(southward)
  • The Who
  • Glyn Johns (associate producer)
The Who singles chronology
"Meet Me, Feel Me"
(1970) 		"Won't Go Fooled Again"
(1971) 		"Let'south See Action"
(1971)

"Won't Get Fooled Once again" is a song by the English rock ring the Who, written by Pete Townshend. It was released equally a unmarried in June 1971, reaching the meridian 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band'southward 1971 anthology Who'due south Next, released that August.

Townshend wrote the song as a closing number of the Lifehouse project, and the lyrics criticise revolution and power. To symbolise the spiritual connection he had found in music via the works of Meher Baba and Inayat Khan, he programmed a mixture of man traits into a synthesizer and used information technology as the master backing instrument throughout the song. The Who tried recording the vocal in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the synthesizer from Townshend's original demo. Ultimately, Lifehouse every bit a project was abased in favour of Who's Next, a straightforward album, where it too became the closing rails. Information technology has been performed as a staple of the band's setlist since 1971, frequently as the fix closer, and was the terminal song drummer Keith Moon played alive with the band.

As well as beingness a hit, the song has achieved critical praise, appearing as one of Rolling Stone 'southward The 500 Greatest Songs of All Time. It has been covered by several artists, such as Van Halen, who took their version to No. one on the Billboard Album Rock Tracks chart. It has been used for several TV shows and films (most notably CSI: Miami), and in some political campaigns.

Background [edit]

The song was originally intended for a rock opera Townshend had been working on, Lifehouse, which was a multi-media exercise based on his followings of the Indian religious avatar Meher Baba, showing how spiritual enlightenment could be obtained via a combination of ring and audience.[3] The vocal was written for the cease of the opera, after the main character, Bobby, is killed and the "universal chord" is sounded. The principal characters disappear, leaving behind the government and regular army, who are left to slap-up each other.[4] Townshend described the song equally one "that screams defiance at those who feel any cause is better than no crusade".[five] He later said that the song was not strictly anti-revolution despite the lyric "We'll exist fighting in the streets", merely stressed that revolution could exist unpredictable, adding, "Don't look to encounter what you await to encounter. Expect nix and you might gain everything."[vi] Bassist John Entwistle later said that the song showed Townshend "saying things that really mattered to him, and maxim them for the first time."[7]

Townshend had been reading Universal Sufism founder Inayat Khan's The Mysticism of Sound and Music, which referred to spiritual harmony and the universal chord, which would restore harmony to humanity when sounded. Townshend realised that the newly emerging synthesizers would allow him to communicate these ideas to a mass audience.[8] He had met the BBC Radiophonic Workshop which gave him ideas for capturing human personality within music. Townshend interviewed several people with general practitioner-fashion questions, and captured their heartbeat, brainwaves and astrological charts, converting the result into a serial of audio pulses. For the demo of "Won't Get Fooled Once more", he linked a Lowrey organ into an EMS VCS 3 filter that played dorsum the pulse-coded modulations from his experiments.[8] He afterward upgraded to an ARP 2500.[nine] The synthesizer did non play any sounds directly as it was monophonic; instead it modified the block chords on the organ as an input point.[10] The demo, recorded at a slower tempo than the version by the Who, was completed by Townshend overdubbing drums, bass, electric guitar, vocals and handclaps.[11]

Recording [edit]

The Who's showtime attempt to record the song was at the Record Constitute on W 44 Street, New York Metropolis, on 16 March 1971. Manager Kit Lambert had recommended the studio to the group, which led to his producer credit, though the de facto work was washed by Felix Pappalardi. This take featured Pappalardi'due south Mountain bandmate, Leslie W, on atomic number 82 guitar.[12]

Lambert proved to be unable to mix the rails, and a fresh effort at recording was made at the kickoff of Apr at Mick Jagger's house, Stargroves, using the Rolling Stones Mobile Studio.[13] Glyn Johns was invited to assist with product, and he decided to re-use the synthesized organ rail from Townshend'southward original demo, every bit the re-recording of the office in New York was felt to exist inferior to the original. Keith Moon had to carefully synchronise his drum playing with the synthesizer, while Townshend and Entwistle played electric guitar and bass.[14]

Townshend played a 1959 Gretsch 6120 Chet Atkins hollow body guitar fed through an Edwards volume pedal to a Fender Bandmaster amp, all of which he had been given by Joe Walsh while in New York. This combination became his main electric guitar recording setup for subsequent albums.[xv] Although intended equally a demo recording, the end result sounded so skilful to the ring and Johns, they decided to use it as the final take.[fourteen] Overdubs, including an acoustic guitar part played by Townshend, were recorded at Olympic Studios at the end of Apr.[xiii] [14] The rails was mixed at Island Studios by Johns on 28 May.[thirteen] After Lifehouse was abandoned as a project, Johns felt "Won't Get Fooled Over again", along with other songs, were so good that they could simply be released every bit a standalone single anthology, which became Who'south Side by side.[xvi] This song is written in the key of A Mixolydian.[17]

Release [edit]

"Won't Become Fooled Again" was first released in the UK every bit a unmarried A-side on 25 June 1971, edited downwardly to 3:35. It replaced "Behind Bluish Eyes", which the grouping felt didn't fit the Who'south established musical way, every bit the choice of single. Information technology was released in July in the U.s.a.. The B-side, "I Don't Even Know Myself" was recorded at Eel Pie Studios in 1970 for a planned EP that was never released. The unmarried reached No. ix in the UK charts and No. 15 in the US. Initial publicity material showed an abased cover of Who's Next featuring Moon dressed in drag and brandishing a whip. [18]

The full-length version of the vocal appeared every bit the endmost runway of Who's Next, released in Baronial in the United states of america and 27 August in the United kingdom of great britain and northern ireland, where information technology topped the anthology charts.[19] "Won't Get Fooled Again" drew strong praise from critics, who were impressed that a synthesizer had managed to be integrated so successfully inside a rock song.[20] Who writer Dave Marsh described vocalizer Roger Daltrey's scream nigh the end of the track as "the greatest scream of a career filled with screams".[21] Greenbacks Box said of it that the song has "rousing magic with the Who'due south trademark instrumental and song force" and that "revolutionary lyric matched past the group's performance fervor brand this a monster on its way."[22] In 2021, the song was ranked number 295 on Rolling Stone 's The 500 Greatest Songs of All Fourth dimension.[23] As of March 2018 it was certified Silver for 200,000 sold copies in the UK.[24]

Live performances [edit]

The Who first performed the song live at the opening date of a serial of Lifehouse-related concerts in the Immature Vic theatre, London on 14 February 1971. Information technology has subsequently been part of every Who concert since,[25] [26] oft every bit the set closer and sometimes extended slightly to permit Townshend to smash his guitar or Moon to boot over his drumkit. The group performed live over the synthesizer role being played on a bankroll record, which required Moon to wear headphones to hear a click rails, allowing him to play in sync. Information technology was the terminal track Moon played live in front of a paying audience on 21 Oct 1976[27] and the last vocal he ever played with the Who at Shepperton Studios on 25 May 1978, which was captured on the documentary picture The Kids Are Alright.[28] The song was role of the Who's ready at Live Aid in 1985, Alive 8 in 2005, T4 on the Beach in 2008 and Capital FM's Summer Ball concert in 2009, 2010 and 2015 and the radio station'south Jingle Bong Ball concerts in 2009 and 2015.[29]

In Oct 2001, The Who performed the song at The Concert for New York Urban center to assist raise funds for the families of firemen and police officers killed during the 9/xi attacks. They finished their set with 'Won't Get Fooled Again' to a responsive and emotional audience, with close-up aerial video footage of the Earth Merchandise Centre buildings playing behind them on a huge digital screen. In February 2010, the group closed their set during the halftime show of Super Basin XLIV with this song.[30] While the Who have continued to play the song live, Townshend has expressed mixed feelings for information technology, alternating between pride and embarrassment in interviews.[31] Who biographer John Atkins described the track every bit "the quintessential Who's Next track but not necessarily the best."[32]

Several alive and alternative versions of the vocal take been released on CD or DVD. In 2003, a palatial version of Who's Next was reissued to include the Record Plant recording of the rail from March 1971 and a live version recorded at the Young Vic on 26 April 1971.[33] The song is also included on the anthology Alive at the Royal Albert Hall, from a 2000 show with Noel Gallagher guesting.

Daltrey, Entwistle and Townshend have each performed the song at solo concerts. Townshend has re-arranged the song for solo performance on acoustic guitar.[34] [35] On 30 June 1979, he performed a duet of the song with classical guitarist John Williams for the 1979 Amnesty International do good The Cloak-and-dagger Policeman's Brawl.[36]

In May 2019, Daltrey and Townshend performed a version of the song on classroom instruments with Jimmy Fallon and his house ring the Roots for the Tonight Show.[37] [38]

Chart history [edit]

Personnel [edit]

  • Roger Daltrey – pb vocals
  • Pete Townshend – electric guitar, audio-visual guitar, European monetary system VCS 3, Lowrey organ, vocals
  • John Entwistle – bass guitar
  • Keith Moon – drums, percussion

Cover versions [edit]

The song was showtime covered in a distinctive soul mode by Labelle on their 1972 album Moon Shadow.[49] Van Halen covered the song in concert in 1992. Eddie Van Halen re-bundled the track and so that the synthesizer part was played on the guitar. A live recording was released on Live: Correct Here, Correct Now,[50] and made it to number one on the Billboard Album Rock Tracks chart.[51]

Both Axel Rudi Pell (on Diamonds Unlocked) and Hayseed Dixie (on Killer Grass) covered the song in their established styles of metallic and bluegrass respectively.[52] [53] Richie Havens covered the track on his 2008 album, Nobody Left to Crown, playing the song at a slower tempo than the original.[54]

References [edit]

Citations

  1. ^ Cavanagh, David (2015). Good Night and Adept Riddance: How Thirty-V Years of John Pare Helped to Shape Mod Life. Faber & Faber. p. 158. ISBN9780571302482.
  2. ^ "The Who'southward 'Who's Next': A Track-past-Track Guide".
  3. ^ Neill & Kent 2002, p. 273.
  4. ^ Marsh 1983, p. 371.
  5. ^ Atkins 2000, p. 157.
  6. ^ "Pete's Diaries – Won't Become Judged Once more". petetownshend.co.united kingdom of great britain and northern ireland. 27 May 2006. Archived from the original on v Dec 2006. Retrieved 8 Jan 2012.
  7. ^ Thompson, Dave (2011). g Songs that Stone Your Earth: From Stone Classics to ane-Hitting Wonders, the Music That Lights Your Burn . Krause Publications. p. 22. ISBN978-one-4402-1899-6.
  8. ^ a b Unterberger 2011, p. 27.
  9. ^ Neill & Kent 2002, p. 250.
  10. ^ Unterberger 2011, p. 28.
  11. ^ Unterberger 2011, p. 51.
  12. ^ Neill & Kent 2002, p. 279.
  13. ^ a b c Neill & Kent 2002, p. 280.
  14. ^ a b c Atkins 2000, p. 152.
  15. ^ Hunter, Dave (fifteen April 2009). "Myth Busters: Pete Townshend'south Recording Secrets". Gibson. Archived from the original on half-dozen October 2014. Retrieved 29 September 2014.
  16. ^ Marsh 1983, p. 382.
  17. ^ Peter, Townshend; Who, The (18 February 2008). "Won't Get Fooled Again". Musicnotes.com . Retrieved 27 May 2021.
  18. ^ a b c d Neill & Kent 2002, p. 284.
  19. ^ Neill & Kent 2002, p. 288.
  20. ^ Marsh 1983, p. 389.
  21. ^ Marsh 1983, p. 388.
  22. ^ "CashBox Record Reviews" (PDF). Cash Box. 3 July 1971. p. 22. Retrieved ten December 2021.
  23. ^ "The Who, 'Won't Get Fooled Again'". Rolling Stone . Retrieved 23 September 2021.
  24. ^ "BRIT Certified". BPI. Retrieved 15 April 2018. – Type "Won't Get Fooled Once again" into the search box to verify the award
  25. ^ Neill & Kent 2002, p. 278.
  26. ^ Atkins 2003, p. 23.
  27. ^ Marsh 1983, p. 479.
  28. ^ Marsh 1983, p. 499.
  29. ^ Edmondson, Jacqueline (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Civilisation [4 volumes]: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Civilization. ABC-CLIO. p. 280. ISBN978-0-313-39348-8.
  30. ^ "Who Dat". Billboard. half dozen February 2010. Retrieved 2 December 2014.
  31. ^ Unterberger 2011, p. 4.
  32. ^ Atkins 2000, p. 162.
  33. ^ Atkins 2003, pp. 24–26.
  34. ^ "Won't Become Fooled Once again – Roger Daltrey". AllMusic . Retrieved 17 January 2015.
  35. ^ "Pete Townshend Goes Acoustic on 'Won't Go Fooled Again'". Rolling Stone. 11 October 2012. Retrieved 17 January 2015.
  36. ^ Bogovich, Richard (2003). The Who: A Who'south who. McFarland. p. 198. ISBN978-0-7864-1569-four.
  37. ^ "The Tonight Evidence Starring Jimmy Fallon". Fallon Tonight (Facebook) . Retrieved 28 January 2020.
  38. ^ "Watch the Who Perform 'Won't Get Fooled Again' With Toy Instruments on 'Fallon'". Rolling Stone. xvi May 2019. Retrieved 28 January 2020.
  39. ^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN0-646-11917-six.
  40. ^ "The Who – Won't Get Fooled Again" (in French). Ultratop 50.
  41. ^ "Hits of the World". Billboard. 25 September 1971. p. 45. Retrieved 19 Jan 2015.
  42. ^ "– {{{song}}}" (in German). GfK Entertainment charts.
  43. ^ "The Irish Charts – Search Results – Won't Get Fooled Again". Irish gaelic Singles Chart. Retrieved January ten, 2018.
  44. ^ "Nederlandse Top 40 – The Who" (in Dutch). Dutch Acme forty.
  45. ^ "The Who – Won't Get Fooled Again" (in Dutch). Single Top 100.
  46. ^ "Greenbacks Box Top 100 9/18/71". tropicalglen.com. Archived from the original on 7 June 2015. Retrieved 13 January 2018.
  47. ^ "Peak 100 Hits of 1971/Top 100 Songs of 1971". world wide web.musicoutfitters.com.
  48. ^ "Cash Box YE Pop Singles – 1971". tropicalglen.com. Archived from the original on 6 October 2016. Retrieved 13 January 2018.
  49. ^ "Won't Get Fooled Again – Labelle". AllMusic . Retrieved 2 December 2014.
  50. ^ Christe, Ian (2009). Everybody Wants Some: The Van Halen Saga. John Wiley & Sons. p. 190. ISBN978-0-470-53618-6.
  51. ^ "Won't Get Fooled Once more". Billboard Mainstream Stone Chart. Retrieved 17 January 2015.
  52. ^ "Diamonds Unlocked – Axel Rudi Pell". AllMusic . Retrieved 17 Jan 2015.
  53. ^ "Killer Grass – Hayseed Dixie". AllMusic . Retrieved 17 January 2015.
  54. ^ "Nobody Left to Crown – Richie Havens". AllMusic . Retrieved 17 Jan 2015.

Sources

  • Atkins, John (2000). The Who on Record: A Critical History, 1963–1998. McFarland. ISBN978-0-7864-0609-8.
  • Atkins, John (2003). Who's Next (Deluxe Edition) (Media notes). Polydor. 113-056-2.
  • Marsh, Dave (1983). Before I Get Old : The Story of The Who. Plexus. ISBN978-0-85965-083-0.
  • Neill, Andrew; Kent, Matthew (2002). Anyway Anyhow Anywhere – The Complete Chronicle of The Who. Virgin. ISBN978-0-7535-1217-3.
  • Unterberger, Richie (2011). Won't Get Fooled Once more: The Who from Lifehouse to Quadrophenia. Jawbone Press. ISBN978-i-906002-75-6.

External links [edit]

  • Lyrics of this song

jackalores.blogspot.com

Source: https://en.wikipedia.org/wiki/Won%27t_Get_Fooled_Again

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